Messner, A. S.: [Review of:] Der unschuldige Blick: Leni Riefenstahls Nuba-Fotografien / Gisela Schäffer. - Berlin ; München: Deutscher Kunstverlag, 2016. Kunstform 18 (10), p. 0 - 0 (2017)

Mozzati, T.: Charles V, Bartolomé Ordóñez, and the tomb of Joanna of Castile and Philip of Burgundy in Granada: an iconographical perspective of a major royal monument of Renaissance Europe. Mitteilungen des Kunsthistorischen Institutes in Florenz 59 (2), pp. 175 - 201 (2017)

O'Donnell, O.: Berensonian Formalism and Pragmatist Perception. Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft; Meiner, Hamburg 62 (2), p. 0 - 0 (2017)

O'Donnell, O.: Revisiting David Summers's Real Spaces: a neo-pragmatist interpretation. World Art; Routledge, London April, pp. 1 - 18 (2017)

O'Donnell, O.: Depicting Berkeleyan Idealism: a study of two portraits by John Smibert. Word & image: a journal of verbal visual enquiry 33 (1), pp. 18 - 34 (2017)

Rasch, M.: "Operation Bodysnatch": Friedrich der Große und Paul von Hindenburg in Marburg. Jahrbuch für den Landkreis Marburg-Biedenkopf Bd. 12, pp. 187-189 - 189 (2017)

Rasch, M.: Kunstsammelstelle Staatsarchiv: der Marburg Central Collecting Point. Archivnachrichten aus Hessen 17 (1), pp. 60 - 62 (2017)

Rossi, F.: I tre mausolei di Lenin di Aleksej Viktorovicˇ Šcusev = The three Mausoleums for Lenin by Aleksej Viktorovicˇ Šcusev. Firenze Architettura 21 (2), pp. 150 - 159 (2017)

Ruffini, M.: Luigi Dallapiccola e il balletto. Da Henri Matisse ad Aurel M. Milloss. Nuova Antologia 152 (2283), pp. 63 - 81 (2017)

Sammern, R.: Idol and Face: Thomas Tuke's Puritan Discourse on Face Painting and Idolatry. Kritische Berichte: Zeitschrift für Kunst- und Kulturwissenschaften ; Mitteilungsorgan des Ulmer Vereins - Verband für Kunst- und Kulturwissenschaften e.V. 45(2016) (1), pp. 27 - 32 (2017)

Seidel, M.: Picasso e la O di Giotto. Prospettiva: rivista di storia dell'arte antica e moderna 161/162(2016), pp. 12 - 99 (2017)

Seidel, M.; Calamei, S.; Fellini, F.: L’Olimpo. Studi di storia dell'arte 27(2016), pp. 251 - 308 (2017)

Simane, J.: [Review of:] The tombs of the Doges of Venice from the beginning of the Serenissima to 1907 / edited by Benjamin Paul, 2016 (Venetiana ; 18). Journal für Kunstgeschichte; Schnell und Steiner, Regensburg Volume 21 (3), pp. 255 - 278 (2017)

Sölch, B.: Das Forum – nur eine Idee? Versuch einer Problemgeschichte aus kunst-und architekturhistorischer Perspektive (15.-21.Jh.). Mitteilungen der Residenzen-Kommission der Akademie der Wissenschaften zu Göttingen, Neue Folge: Stadt und Hof 6, pp. 143 - 154 (2017)

Sölch, B.: Architectural Problems. e-flux architecture 11, p. 0 - 0 (2017)

Troelenberg, E.-M.; Bodenstein, F.: Revisiter les "arts du monde": histoires critiques et défis contemporains. Perspective: la revue de l'INHA 1 (2017), pp. 169 - 176 (2017)

Ciappi, S.: Una collezione di vetro"verde" a Firenze: passione e identità = A collection of "green glass" in Florence: passion and identity. Osservatorio dei mestieri d'arte 57 (4), pp. 4 - 5 (2016)

Mascolo, M. M.: From 'bad' to 'good': Baroque architecture through a century of art historiography and politics: review of: Baroque and the political language of formalism (1845 - 1945): Burckhardt, Wölfflin, Gurlitt, Brinckmann, Sedlmayr / Evonne Levy, 2015. Journal of Art Historiography 15, p. . - . (2016)

Richardson, J. N.: [Review of] From Giotto to Botticelli: the artistic patronage of the Humiliati in Florence / Julia I. Miller and Laurie Taylor-Mitchell, 2015. CAA reviews; College Art Association, New York, NY, p. . - . (2016)

Ciappi, S.: Il mercato del vetro tra bottega, fiere e venditori ambulanti = The Glass Market: Workshops, Fairs and Street Vendors. Osservatorio dei mestieri d'arte 56 (3), pp. 4 - 5 (2016)