Omigie, D.; Frieler, K.; Bär, C.; Muralikrishnan, R.; Wald-Fuhrmann, M.; Fischinger, T.: Experiencing musical beauty: Emotional subtypes and their physiological and musico-acoustic correlates. Psychology of Aesthetics, Creativity, and the Arts 15 (2), pp. 197 - 215 (2021)

van Leeuwen, T. M.; Sauer, A.; Jurjut, A.-M.; Wibral, M.; Uhlhaas, P. J.; Singer, W.; Melloni, L.: Perceptual gains and losses in synesthesia and schizophrenia. Schizophrenia Bulletin 47 (3), pp. 722 - 730 (2021)

Kraxenberger, M.; Knoop, C. A.; Menninghaus, W.: Who reads contemporary erotic novels and why? Humanities and Social Sciences Communications 8, 96 (2021)

Wald-Fuhrmann, M.; Egermann, H.; Czepiel, A.; O’Neill, K.; Weining, C.; Meier, D.; Tschacher, W.; Uhde, F.; Toelle, J.; Tröndle, M.: Music listening in classical concerts: Theory, literature review, and research program. Frontiers in Psychology 12, 638783 (2021)

Tchernichovski, O.; Frey, S.; Jacoby, N.; Conley, D.: Experimenting with online governance. Frontiers in human dynamics 3, 629285 (2021)

Yu, C. S.-P.; McBeath, M. K.; Glenberg, A. M.: The gleam-glum effect: /i:/ versus /λ/ phonemes generically carry emotional valence. Journal of Experimental Psychology: Learning, Memory, and Cognition 47 (7), pp. 1173 - 1185 (2021)

Grabenhorst, M.; Maloney, L. T.; Poeppel, D.; Michalareas, G.: Two sources of uncertainty independently modulate temporal expectancy. Proceedings of the National Academy of Sciences of the United States of America 118 (16), e2019342118 (2021)

Salgaro, M.; Wagner, V.; Menninghaus, W.: A good, a bad, and an evil character: Who renders a novel most enjoyable? Poetics 87, 101550 (2021)

Menninghaus, W.; Wallot, S.: What the eyes reveal about (reading) poetry. Poetics 85, 101526 (2021)

Mutch, C.: Canons and contestable cadences in Brahms's Op. 118 No. 4. Music Theory and Analysis 8 (1), pp. 143 - 152 (2021)

Raz, C.: Séances, “sperrits,” and self-playing accordions: Musical instruments in Victorian spiritualism. Journal of Musicology 38 (2), pp. 230 - 259 (2021)

Sokoliuk, R.; Degano, G.; Banellis, L.; Melloni, L.; Hayton, T.; Sturman, S.; Veenith, T.; Yakoub, K. M.; Belli, A.; Noppeney, U. et al.; Cruse, D.: Covert speech comprehension predicts recovery from acute unresponsive states. Annals of Neurology, pp. 646 - 656 (2021)

Wagner, V.; Scharinger, M.; Knoop, C. A.; Menninghaus, W.: Effects of continuous self-reporting on aesthetic evaluation and emotional responses. Poetics 85, 101497 (2021)

Langlois, T. A.; Jacoby, N.; Suchow, J. W.; Griffiths, T. L.: Serial reproduction reveals the geometry of visuospatial representations. Proceedings of the National Academy of Sciences of the United States of America 118 (13), e2012938118 (2021)

Merrill, J.; Czepiel, A.; Fink, L. A.; Toelle, J.; Wald-Fuhrmann, M.: The aesthetic experience of live concerts: Self-reports and psychophysiology. Psychology of Aesthetics, Creativity, and the Arts (2021)

Chirico, A.; Clewis, R.; Yaden, D. B.; Gaggioli, A.: Nature versus art as elicitors of the sublime: A virtual reality study. PLoS One 16 (3), e0233628 (2021)

Kang, H.; Auksztulewicz, R.; An, H.; Chacra, N. A.; Sutter, M. L.; Schnupp, J. W. H.: Neural correlates of auditory pattern learning in the auditory cortex. Frontiers in Neuroscience 15, 610978 (2021)

Blohm, S.; Schlesewsky, M.; Menninghaus, W.; Scharinger, M.: Text type attribution modulates pre-stimulus alpha power in sentence reading. Brain and Language 214, 104894 (2021)

Sarkhosh, K.; Menninghaus, W.: The Feel-Good Film: Genre Features and Emotional Rewards. Projections: The Journal for Movies and Mind 15 (1), pp. 55 - 77 (2021)

Toelle, J.; Sloboda, J. A.: The audience as artist? The audience’s experience of participatory music. Musicae Scientiae 25 (1), pp. 67 - 91 (2021)