Greb, F.; Schlotz, W.; Steffens, J.: Situational and dispositional influences on the functions of music listening. In Proceedings of the 14th International Conference on Music Perception and Cognition, p. 834. 14th International Conference on Music Perception and Cognition, San Francisco, July 05, 2016 - July 09, 2016. (2016)

Steffens, J.; Greb, F.; Schlotz, W.: Why listen to music right now?: Towards an inventory measuring the functions of music listening under situational influences. In Proceedings of the 14th International Conference on Music Perception and Cognition, p. 842. 14th International Conference on Music Perception and Cognition, San Francisco, July 05, 2016 - July 09, 2016. (2016)

Elvers, P.: Ethos & Mimesis: Ideen zu einer aristotelischen Musikästhetik. In Musiktheorie und Ästhetik: Programmübersicht, Abstracts & Biografien, Informationen, p. 23. Musiktheorie und Ästhetik: 13. Jahreskongress der Gesellschaft für Musiktheorie, Rostock, October 04, 2013 - October 06, 2013. (2013)

Proceedings of the first Symposium of the ICTM Study Group on Sound, Movement, and the Sciences (SoMoS). First Symposium of the ICTM Study Group on Sound, Movement, and the Sciences , Stockholm, Sweden, September 28, 2020 - September 30, 2020., (2021)

Schiller, D.; Mertes, S.; van Rijn, P.; André, E.: Analysis by synthesis: Using an expressive TTS Model as feature extractor for paralinguistic speech classification. In: Proceedings Interspeech 2021, pp. 486 - 490. Interspeech 2021, Brno, Czechia, August 30, 2021 - September 03, 2021. (2021)

Muralikrishnan, R.; Idrissi, A.: Look before you leap: Careful incremental processing of idiosyncratic grammaticalised partial-agreement: ERP and self-paced reading evidence from Arabic. 7th Annual Society for the Neurobiology of Language Conference , Chicago, Illinois (2015)

Bär, C.: Musikdiskurse: Sprachliche Muster, Dichte, Diversität im Sound populärer Musikrezensionen. Dissertation, 473 pp., De Gruyter, Berlin (2024)

Czepiel, A.: Assessing real-world music listening in concerts: Aesthetic experiences and peripheral physiological responses. Dissertation, Maastricht University, Maastrich (2023)

Ackermann, T.: Disliked music: Merkmale, Gründe und Funktionen abgelehnter Musik. Dissertation, 303 pp., kassel university press, Kassel (2019)

Vroegh, T. P.: The pleasures of getting into the music: Absorption, and its role in the aesthetic appreciation of music. Dissertation, Universitätsbibliothek Johann Christian Senckenberg, Frankfurt (2018)

Greb, F.: Determinants of music-selection behaviour: Development of a model. Dissertation, TU Berlin, Berlin (2018)

Wald-Fuhrmann, M.; van Dyck-Hemming, A. (Eds.): Musikwissenschaftliche Gesellschaften und Zeitschriften (Special issue). Die Musikforschung 76, (4) (2023)

Gehring, P.; Grüny, C.; Schnell, M. W. (Eds.): Journal Phänomenologie (Special issue). Digitalität und Erfahrung 55 (2021)

Fischinger, T. (Ed.): Special Issue on Rhythm Production and Perception (Special issue). Timing & Time Perception 3, (1-2) (2015)

Grimm, H.; Wald-Fuhrmann, M. (Eds.): Lexikon Schriften über Musik. Bärenreiter ; Metzler, Kassel ; Stuttgart

Schneider, S.; Wald-Fuhrmann, M.; Watzka, C. (Eds.): epiFaNIen - Frühe Neuzeit interdisziplinär. V & R Unipress, Göttingen

Kazanina, N.; Tavano, A.: Reply to ‘What oscillations can do for syntax depends on your theory of structure building’, Nature Reviews Neuroscience 24, (2023)

Kazanina, N.; Tavano, A.: Reply to ‘When linguistic dogma rejects a neuroscientific hypothesis’, Nature Reviews Neuroscience 24, pp. 726 - 727 (2023)

Kazanina, N.; Tavano, A.: Reply to ‘Low-frequency neural parsing of hierarchical linguistic structures’, Nature Reviews Neuroscience, (2023)

Horst Bredekamp im Gespräch mit Felix Jäger und Yasuhiro Sakamoto: „Formen heißt Denken, Denken heißt Formen“. Die Zukunft der Bildwissenschaft und die Kulturfrage, Bilder als Denkformen: Bildwissenschaftliche Dialoge zwischen Japan und Deutschland, pp. 13 - 28 (2020)