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Sarkhosh, K.: Die Welt als Archiv – Stanley Kubricks ›Napoleon‹-Projekt. In: Figuren des Globalen. Weltbezug und Welterzeugung in Literatur, Kunst und Medien, pp. 657 - 669. V&R unipress, Göttingen (2014)
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Sakamoto, Y.: Die Technische Anatomie eines mechanischen Entwurfs: Stephan von Huenes Erweiterter Schwitters. In: Bildwelten des Wissens: Kunsthistorisches Jahrbuch für Bildkritik Bild-Ton-Rhythmus, 10,2 Ed., pp. 53 - 63. Akademie Verlag, Berlin (2014)
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Elvers, P.: Carl Stumpf über den empirischen Ursprung des Substanzbegriffs. In: Gestalt und Gestaltung in interdisziplinärer Perspektive, pp. 109 - 124 (Eds. Aschermann , E.; Kaiser-el-Safti , M.). Peter Lang, Frankfurt am Main (2014)
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Toelle, J.: "Was michs kostet, die Indianer in unserer Europäischen Music zu instruiren, ist dem lieben Gott allein bekannt": Kircher und die jesuitische Mission durch Musik in Paraquaria. In: Steinbruch oder Wissensgebäude?: zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis, pp. 93 - 106 (Ed. Wald-Fuhrmann, M.). Schwabe, Basel (2014)
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Wald-Fuhrmann, M.: Kircher in Wien: Einflüsse auf Theorie und Kompositionspraxis. In: Steinbruch oder Wissensgebäude?: Zur Rezeption von Athanasius Kirchers "Musurgia Universalis" in Musiktheorie und Kompositionspraxis, pp. 107 - 129 (Ed. Wald-Fuhrmann, M.). Schwabe, Basel (2014)
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Wald-Fuhrmann, M.: Musikwissenschaft. In: Handbuch Kanon und Wertung: Theorien, Instanzen, Geschichte, pp. 371 - 386 (Eds. Rippl, G.; Winko, S.). J. B. Metzler, Stuttgart (2013)
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Menninghaus, W.: Darwin’s theory of music, rhetoric and poetry. In: Stephen J. Gould: The scientific legacy, pp. 169 - 176 (Eds. Danieli, G. A.; Minelli , A.; Pievani, T.). Springer Milan (2013)
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Wald-Fuhrmann, M.: Musik und Subjektivität. In: Historische Musikwissenschaft: Grundlagen und Perspektiven, pp. 289 - 306 (Eds. Calella , M.; Urbanek, N.). J. B. Metzler, Stuttgart (2013)

Proceedings (1)

869.
Proceedings
Jokisch, J. (Ed.): Identities and representations: Reaching one another language as interface and performance. 3rd and 4th International Students’ Conference ICON 2020 and 2021, Mainz. Gutenberg Open Science, Mainz (2023)

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870.
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Nuttall, T.; Serra, X.; Pearson, L.: Svara-forms and coarticulation in Carnatic music: an investigation using deep clustering. In: DLfM '24: Proceedings of the 11th International Conference on Digital Libraries for Musicology, pp. 15 - 22 (Ed. Weigl, D. M.). DLfM 2024: 11th International Conference on Digital Libraries for Musicology, Stellenbosch/online, June 27, 2024. Association for Computing Machinery, New York, United States (2024)
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van Rijn, P.; Mertes, S.; Janowski, K.; Weitz, K.; Jacoby, N.; André, E.: Giving robots a voice: Human-in-the-loop voice creation and open-ended labeling. In: CHI '24: Proceedings of the CHI Conference on Human Factors in Computing Systems, 584, pp. 1 - 34 (Eds. Mueller, F. F.; Kyburz, P.; Williamson, J. R.; Sas, C.; Wilson, M. L. et al.). CHI '24: CHI Conference on Human Factors in Computing Systems, HI, Honolulu, USA, May 11, 2024 - May 16, 2024. (2024)
872.
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Georgakopoulou, N.; Kosti, M. V.; Diplaris, S.; Benayoun, M.; Camurri, A.; de Gelder, B.; Wald-Fuhrmann, M.; Koulali, P.; Valsamidou, K.; Bronner, K. et al.; Wanner, L.; Gaki, F.; Vrochidis, S.; Kompatsiaris, I.: ReSilence: Retune the soundscape of future cities through art and science collaboration. In: Proceedings: ISEA2023 SYMBIOSIS, pp. 421 - 431 (Ed. Tibloux, E.). 28th International Symposium on Electronic Art, Paris, May 16, 2023 - May 21, 2023. École des Arts Décoratifs, Paris (2024)
873.
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Kadavá, Š.; Pearson, L.; Trujillo, J.; Pouw, W.: Towards a movement science of communication. In: Proceedings of the Annual Meeting of the Cognitive Science Society, Vol. 46, pp. 18 - 19 (Eds. Samuelson, L. K.; Frank, S. L.; Toneva, M.; Mackey, A.; Hazeltine , E.). The 44th Annual Meeting of the Cognitive Science Society, Sydney, Australia, July 26, 2023 - July 29, 2023. (2024)
874.
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Urano, Y.; Marjieh, R.; Griffiths, T. L.; Jacoby, N.: The influence of social information and presentation interface on aesthetic evaluations. In: Proceedings of the Annual Meeting of the Cognitive Science Society, Vol. 46, pp. 5334 - 5340 (Eds. Samuelson, L. K.; Frank, S. L.; Toneva, M.; Mackey, A.; Hazeltine , E.). The 44th Annual Meeting of the Cognitive Science Society, Sydney, Australia, July 26, 2023 - July 29, 2023. (2024)
875.
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Van Geert, E.; Jacoby, N.: Using Gibbs Sampling with people to characterize perceptual and aesthetic evaluations in multidimensional visual stimulus space. In: Proceedings of the Annual Meeting of the Cognitive Science Society, Vol. 46, pp. 1204 - 1211 (Eds. Samuelson, L. K.; Frank, S. L.; Toneva, M.; Mackey, A.; Hazeltine , E.). The 44th Annual Meeting of the Cognitive Science Society, Sydney, Australia, July 26, 2023 - July 29, 2023. (2024)
876.
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Pearson, L.; Manickavasakan, B.: Annotating Karnataka music: Encounters between a musical tradition and computational tools. In: Proceedings of the Second Symposium of the ICTM Study Group on Sound, Movement, and the Sciences (SoMoS), pp. 23 - 27 (Ed. Bonini Baraldi, F.). Second Symposium of the ICTMStudy Group on Sound, Movement, and the Sciences (SoMoS, Barcelona, Spain, October 26, 2022 - October 28, 2022. Instituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-md), Faculty of Social and Human Sciences, NOVA University, Lisbon, Portugal (2023)
877.
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Jokisch, J.: Should you let your computer do the reading?: A discussion on the benefits of distant reading for literary studies, with a quantitative study on the development of stage directions in European Drama. In: Identities and representations: Reaching one another language as interface and performance, pp. 43 - 67 (Ed. Jokisch, J.). 3rd and 4th International Students’ Conference ICON 2020 and 2021, Mainz. Gutenberg Open Science, Mainz (2023)
878.
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Fink, L.: Eye movement patterns when playing from memory: Examining consistency across repeated performances and the relationship between eyes and audio. In: The e-proceedings of the 17th International Conference on Music Perception and Cognition and the 7th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music (Eds. Tsuzaki, M.; Sadakata, M.; Ikegami, S.; Matsui, T.; Okano, M. et al.). 17th ICMPC, Nihon University College of Art – Ekoda Campus, Tokyo, Japan; hybrid participation, August 24, 2023 - August 28, 2023. (2023)
879.
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Schiller, D.; Mertes, S.; van Rijn, P.; André, E.: Bridging the gap: End-to-end domain adaptation for emotional vocalization classification using adversarial learning. In: MuSe' 22: Proceedings of the 3rd International on Multimodal Sentiment Analysis Workshop and Challenge, pp. 95 - 100. MM '22: The 30th ACM International Conference on Multimedia , Lisboa, Portugal, October 10, 2022. Association for Computing Machinery, New York, NY (2022)
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Wesseldijk, L.; Ullén, F.; Mosing, M. A.: A comprehensive investigation into the genetic relationship between music engagement and mental health. European Neuropsychopharmacology 63, pp. e286 - e287 (2022)
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