Neuhoff, H.; Polak, R.; Fischinger, T.: Perception and evaluation of timing patterns in drum ensemble music from Mali. Music Perception 34 (4), S. 438 - 451 (2017)

Reichert, M.; Tost, H.; Reinhard, I.; Schlotz, W.; Zipf, A.; Salize, H. J.; Meyer-Lindenberg, A.; Ebner-Priemer, U. W.: Exercise versus nonexercise activity: E-diaries unravel distinct effects on mood. Medicine & Science in Sports & Exercise 49 (4), S. 763 - 773 (2017)

Drews, H. J.; Wallot, S.; Weinhold, S. L.; Mitkidis, P.; Baier, P. C.; Roepstorff, A.; Goeder, R.: "Are we in sync with each other?" Exploring the effects of cosleeping on heterosexual couples' sleep using simultaneous polysomnography: A pilot study. Sleep Disorders 2017, 8140672 (2017)

Menninghaus, W.; Wagner, V.; Hanich, J.; Wassiliwizky, E.; Jacobsen, T.; Koelsch, S.: The Distancing-Embracing model of the enjoyment of negative emotions in art reception. Behavioral and Brain Sciences 40, e347 (2017)

Kaiser, J.; Rieder, M.; Abel, C.; Peters, B.; Bledowski, C.: Pre-encoding gamma-band activity during auditory working memory. Scientific Reports 7, 42599 (2017)

Wassiliwizky, E.; Jacobsen, T.; Heinrich, J.; Schneiderbauer, M.; Menninghaus, W.: Tears falling on goosebumps: Co-occurrence of emotional lacrimation and emotional piloerection indicates a psychophysiological climax in emotional arousal. Frontiers in Psychology 8, 41 (2017)

Kokinous, J.; Tavano, A.; Kotz, S. A.; Schröger, E.: Perceptual integration of faces and voices depends on the interaction of emotional content and spatial frequency. Biological Psychology 123, S. 155 - 165 (2017)

Krakauer, J. W.; Ghazanfar, A. A.; Gomez-Marin, A.; MacIver, M. A.; Poeppel, D.: Neuroscience needs behavior: Correcting a reductionist bias. Neuron 93 (3), S. 480 - 490 (2017)

Ullrich, S.; Aryani, A.; Kraxenberger, M.; Jacobs, A. M.; Conrad, M.: On the relation between the general affective meaning and the basic sublexical, lexical, and inter-lexical features of poetic texts—A case study using 57 poems of H. M. Enzensberger. Frontiers in Psychology 7, 2073 (2017)

Kraxenberger, M.; Menninghaus, W.: Affinity for Poetry and Aesthetic Appreciation of Joyful and Sad Poems. Frontiers in Psychology 7, 2051 (2017)

Ackermann, T.; Fiedler, D.; Schaal, N.: 14th International Conference on Music Perception and Cognition (ICMPC), 05.-09. Juli 2016; San Francisco, USA. Musikpsychologie: Akustik und musikalische Hörwahrnhemung [Monograph]. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie 27, S. 234 - 238 (2017)

Ding, N.; Melloni, L.; Tian, X.; Poeppel, D.: Rule-based and statistics-based processing of language: Insights from neuroscience. Language, Cognition and Neuroscience 32 (5), S. 570 - 575 (2017)

Fischinger, T.; van Dyck-Hemming, A.: A commentary on Poudrier's "Tapping to Carter: Mensural Determinacy in Complex Rhythmic Sequences". Empirical Musicology Review 12 (3-4), S. 316 - 320 (2017)

Frieler, K.; Lange, E. B.: Chancen und Risiken des Computereinsatzes in der Musikpsychologie. Jahrbuch der Deutschen Gesellschaft für Musikpsychologie 27, S. 187 - 191 (2017)

Greb, F.; Elvers, P.; Fischinger, T.: Trends in empirical aesthetics: A review of the journal "Empirical Studies of the Arts" from 1983 to 2014. Empirical Studies of the Arts 35 (1), S. 3 - 26 (2017)

Hanich, J.; Menninghaus, W.: Beyond Sadness: The Multi-Emotional Trajectory of Melodrama. Cinema Journal: The Journal of The Societey for Cinema & Media Studies 56 (4), S. 76 - 101 (2017)

Kaufmann, M.: Tränen und Drama: Domenico Mazzocchis musikalische Inszenierung der Klage. Die Tonkunst: Magazin für klassische Musik und Musikwissenschaft 11 (2), S. 185 - 195 (2017)

Larrouy-Maestri, P.: The influence of non-musical variables on the evaluation of vocal pitch accuracy. CFMAE Interdisciplinary Journal for Music and Art Pedagogy, Special Issue on Singing & Voice 9, S. 123 - 141 (2017)

Merrill, J.: Schoenberg's Pierrot lunaire revisited: Acceptance of vocal expression. Acta Musicologica 89 (1), S. 95 - 117 (2017)

Omigie, D.: Deconstructing dissonance: The multifaceted role of learning. Journal of interdisciplinary music studies 8 (1-2), S. 35 - 38 (2017)