Pausch, V.; Harrison, P. M. C.; Höger, F.; Müllensiefen, D.; Frieler, K.: psychTestR – Ein R-Paket für (musik-)psychologische Tests und Fragebogeninventare. In: Musik und Internet: Aktuelle Phänomene populärer Kulturen, S. 249 - 259 (Hg. Moormann, P.; Ruth, N.). Springer VS, Wiesbaden (2023)

Cohen, D. E.: "A body composed of many parts": The concept of harmony in Leonardo da Vinci’s Paragone. In: Music and visual culture in Renaissance Italy (Hg. Henry, C.; Shephard, T.). Routledge Taylor & Francis Ltd, London (2023)

Feld, S.; Jacoby, N.; Loughridge, D.; Loui, P.; Margulis, E. H.: Conversations with Steven Feld. In: The science-music borderlands: Reckoning with the past and imagining the future, S. 367 - 383 (Hg. Margulis, E. H.; Loui, P.; Loughridge, D.). The MIT Press, Cambridge, Massachusetts (2023)

Raz, C.: Of sound minds and tuning forks: Neuroscience’s vibratory histories. In: The science-music borderlands: Reckoning with the past and imagining the future, S. 115 - 129 (Hg. Margulis, E. H.; Loui, P.; Loughridge, D.). The MIT Press, Cambridge, Massachusetts (2023)

Savage, P. E.; Jacoby, N.; Margulis, E. H.; Daikoku, H.; Anglada-Tort, M.; Castelo-Branco, S. E.-S.; Nweke, F. E.; Fujii, S.; Hegde, S.; Chuan-Peng, H. et al.; Jabbour, J.; Lew-Williams, C.; Mangalagiu, D.; McNamara, R.; Müllensiefen, D.; Opondo, P.; Patel, A. D.; Schippers, H.: Building sustainable global collaborative networks: Recommendations from music studies and the social sciences. In: The science-music borderlands: Reckoning with the past and imagining the future, S. 347 - 365 (Hg. Margulis, E. H.; Loui, P.; Loughridge, D.). The MIT Press, Cambridge, Massachusetts (2023)

Wald-Fuhrmann, M.: Du holde Kunst: Trost als Funktion des Musikhörens und Musizierens während der Corona-Pandemie. In: Trost: Beistand, Zuspruch und Trostgründe in der Krise, S. 261 - 283 (Hg. Bulang , T.). Winter, Heidelberg (2023)

Pearson, L.: A social aesthetics and ethics of imperfection: Insights from Karnatak Music, Jazz and free improvisation. In: Imperfectionist aesthetics in art and everyday life (Hg. Cheyne, P.). Routledge, New York (2022)

Blohm, S.; Knoop, C. A.: Rhyme. In: An Introduction to Poetic Forms, S. 9 - 22 (Hg. Gill, P.). Routledge, New York (2022)

Wald-Fuhrmann, M.: Coronamusic(king):Types, repertoires, consolatory function. In: Sounds of the pandemic: Accounts, experiences, perspectives in times of COVID-19, S. 193 - 212 (Hg. Agamennone, M.; Palma, D.; Sarno, G.). Taylor & Francis, London (2022)

Blohm, S.; Knoop, C. A.: What to expect from a poem? The primacy of rhyme in college students’ conceptions of poetry. In: Rhyme and Rhyming in Verbal Art, Language, and Song, Bd. 25, S. 264 - 276 (Hg. Sykäri, V.; Fabb, N.). Finnish Literature Society, SKS, Helsinki (2022)

Ullén, F.: Expertise and the brain of the performing artist. In: The Routledge international handbook of neuroaesthetics, S. 526 - 538 (Hg. Skov, M.; Nadal, M.). Taylor & Francis Ltd, London (2022)

Vessel, E. A.; Ishizu, T.; Bignardi, G.: Neural correlates of visual aesthetic appeal. In: The Routledge international handbook of neuroaesthetics, S. 103 - 133 (Hg. Skov, M.; Nadal, M.). Routledge, London (2022)

Menninghaus, W.; Blohm, S.: Empirical Aesthetics of Poetry. In: The Oxford Handbook of Empirical Aesthetics, S. 704 - 720 (Hg. Nadal, M.; Vartanian, O.). Oxford University Press, Oxford (2022)

Bär, C.: Urbanes Place-Making und Sprechen über Musik. In: Handbuch Sprache im urbanen Raum/Handbook of Language in Urban Space, S. 165 - 190 (Hg. Busse, B.; Warnke, I. H.). De Gruyter, Berlin (2022)

Arjava, H.; Kentner, G.: Alignment of prosodic weight and musical length in Finnish vocal music textsetting. In: How Language Speaks to Music. Prosody from a Cross-domain Perspective, Bd. 583, S. 161 - 190 (Hg. Scharinger, M.; Wiese, R.). De Gruyter. doi:10.1515/9783110770186-007, Berlin, Boston (2022)

Larrouy-Maestri, P.; Poeppel, D.; Pfordresher, P. Q.: Pitch units in music and speech prosody. In: How language speaks to music, S. 17 - 42 (Hg. Scharinger, M.; Wiese, R.). De Gruyter, Berlin, Boston (2022)

Willemsen, S.; Bálint, K.; Hakemulder, F.; Kiss, M.; Konijn, E.; Fayn, K.: Who likes complex films? Personality and preferences for narrative complexity. In: Puzzling Stories: The Aesthetic Appeal of Cognitive Challenge in Film, Television and Literature, S. 355 - 383 (Hg. Willemsen, S.; Kiss, M.). Berghahn (2022)

Willemsen, S.; Kiss, M.: Introduction: Puzzling Stories. In: Puzzling Stories: The Aesthetic Appeal of Cognitive Challenge in Film, Television and Literature, S. 1 - 12 (Hg. Willemsen, S.; Kiss, M.). Berghahn (2022)

Schoof, K.: Die Hochschulbibliothek als Lernort: Zugänge und Befunde einer ethnografischen Nutzungsforschung. In: Ethnografie der Hochschule: Zur Erforschung universitärer Praxis, S. 151 - 172 (Hg. Meyer, D.; Reuter, J.; Berli, O.). transcript, Bielefeld (2022)

Cohen, D. E.: Latet Discordantia Quartae»: An early natural-scientific explanation of upper-voice fourths by Franchinus Gaffurius. In: Music and science from Leonardo to Galileo, S. 3 - 19 (Hg. Rasch, R.). Brepols, Turnhout (2022)